

AFRICA UNITED
Zico
came to Iceland from Morocco to seek his fortune. After
ten years running his own small business, Zico goes
bankrupt. Desperate and depressed he decides to fire
up his amateur team called Africa United and take them
into the semi-professional 3rd division. He calls upon
immigrants all over Iceland, players from Morocco, Nigeria,
Colombia, Serbia, Kosovo, Gambia and Guinea to help
realize his vision. The road to success is rocky and
mid-season Africa United has lost all games; their best
player walks out and Zico decides to meet his role-model
in football in England for advice. Having done so, he
comes back with fresh ideas on how to approach his goals
in life and football.
REVIEWS - AFRICA UNITED
from THE GRAPEVINE (ICELANDIC MAGAZINE)
The word “documentary” doesn’t usually bring comedy to mind, but Ólaf Jóhannesson manages to make these two worlds combine beautifully in this story of Iceland’s first all-foreigner football team to make it to the third division.
Despite being completely unscripted, stock characters still emerge in the movie: there’s Zakaria, the frustrated but determined coach, his unruly players who squabble with each other as much as they do with referees, and a Zen-like trainer - assuredly the only “Einar Xavier” in the world - acting as a voice of reason. Most of the players are from Africa, as the name suggests, but there’s also a Colombian, a Portuguese, a Serb and others on the team. What keeps this film moving along at a brisk pace through pre-season training and their struggles on the field is the one constant dual dynamic running through the whole film: the characters are all likeable, but the team appears to be veering constantly towards the brink of disintegration.
This tension keeps us engaged through this well-paced movie. Their objective - to win at least three games in the season to remain in the division - puts a more humourous spin on the sports movie formula as well.
Not that Africa United stays within the bounds of any formula: the film takes us out of the country, to Morocco (to relocate the Zakaria), to Serbia (to attend Zlatko’s wedding) and to the UK (where Zakaria wants to meet Charlton manager Alan Curbishley for advice). The film is also probably one of the most realistic depictions of foreigners living in Iceland ever put on the screen, especially in capturing the ambiguity of their feelings about Iceland - Zlatko, at different times, will declare that Iceland has become his home but also complain that, “When an Icelander hears I’m from Serbia, the first question they ask is about the war.” These elements open the film up, bring us closer to the characters and make us care about them.
Jóhannesson might be self-effacing when it comes to this movie (having jokingly compared it to The Mighty Ducks), but make no mistake: this is a movie that dares combine sports, comedy and the documentary format, and does so innovatively and entertainingly.
(Paul F. Nikolov) |